![]() ![]() We'd like to see many more transitions added to the roster of real-time effects, including pushes, where one image is literally pushed from one side of the screen to the other. According to Apple and several professional video editors we talked to, Final Cut's real-time cross-dissolve, 5 wipes, and 6 iris transitions will be sufficient for most amateur editors. With a single G4 processor, for instance, you won't be able to use more than a couple of effects simultaneously. Also, your processor limits the number of effects and filters viewable at the same time. Unfortunately, you'll find that only 12 of Final Cut's 60 video transitions and 1 of its 75 video filters work in real time the others need time to process. ![]() One of Final Cut Pro's most touted new features is the ability to preview video transitions and filters in real time without having to render the image in color or view it in black and white. Still, Final Cut Pro 3.0 is the best program for Mac professional editors looking for the most powerful, software-based editing application available. But Final Cut is not yet the ultimate video-editing tool because the Mac's processor limits the apps' effects. Version 3.0 takes Final Cut Pro even further, with real-time effects, video-signal analysis, real-time color correction, and other new features designed to make your productions even more professional. Still, Final Cut Pro 3.0 is the best program for Mac professional editors looking for the most powerful, software-based editing application available.When we looked at Final Cut Pro last year, it stood out from the midrange video editor crowd, which included Adobe Premiere and Vegas Video, largely thanks to its precise editing tools, slick interface, and powerful composition features. When we looked at Final Cut Pro last year, it stood out from the midrange video editor crowd, which included Adobe Premiere and Vegas Video, largely thanks to its precise editing tools, slick interface, and powerful composition features.
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